
Suffering Sappho!
Lesbian Camp in American Popular Culture

Winner of the Judy Grahn Award for Lesbian Nonfiction from the Publishing Triangle and the John Leo and Dana Heller Award for Best Single Work in LGBTQ Studies from the Popular Culture Association

Check out this review of Suffering Sappho! by Megan Volpert in Pop Matters,
or my chat with Katrin Horn for New Review of Film & Television Studies.
An ever-expanding and panicked Wonder Woman lurches through a cracked city skyline, begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture.
Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a large-than-life lesbian menace across mid-century media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.






Judy Grahn describing Suffering Sappho!, as “establishing a new history and filling in the fabric of an old history”? Wow.
Time for a watch party!
Click on the image for a link to the film. Daughter of Dr. Jekyll (1957) and Sorority Girl (1957) are easy enough to find on YouTube, but early TV like Our Miss Brooks and Beulah will be harder to catch! And you’ll need the Criterion Channel to watch Parkerson’s “Stormé: The Lady of the Jewel Box.”